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From Karnan to Jai Bhim and Grasp: Better of Tamil cinema in 2021

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As 2021 involves an in depth, we check out Tamil movies that made an impression, went past entertaining audiences and managed to attraction to a big part of the viewers with out requiring the backing of a star. From Vijay’s Grasp to Dhanush’s Karnan and Suriya’s Jai Bhim, listed here are the very best Tamil movies of the yr in no explicit order.


Lokesh Kanagaraj’s Grasp is considered one of Vijay’s most entertaining movies lately. After proving his mettle with movies akin to Maanagaram and Kaithi, which labored despite the fact that they didn’t function stars, Grasp is Lokesh’s maiden try at true-blue industrial cinema with one of many trade’s greatest stars, Vijay. He proves himself but once more, even when Grasp panders to Vijay’s followers greater than the director’s personal. Grasp is a largely entertaining star automobile, and one which’s devoid of the chest-thumping heroism Vijay’s movies often scream of.


Debutant writer-director Madone Ashwin’s Mandela, which premiered immediately on Netflix, is a political satire that’s each entertaining and very impactful, particularly within the methods it addresses points akin to caste-based politics. The movie makes one notice the significance of a single vote, and why it’s important to grasp modern-day politics in Tamil Nadu. One of many prime the explanation why the movie works successfully and principally stays related is due to its comical therapy. But, it does strike an emotional chord with out getting overly sentimental.


Mari Selvaraj’s Karnan, which options Dhanush in considered one of his fiercest roles, is a daring, highly effective portrayal of a flawed system letting down its folks, caste-based riots and police brutality. Loosely primarily based on the 1995 caste-riots in Kodiyankulam; Karnan paints a particularly hard-hitting story of a village preventing for its recognition. Karnan raises a number of legitimate questions – all equally important- concerning the state of the oppressed group in our society.


Leena Manimekalai’s Maadathy (streaming on Neestream) is an easy, simple movie concerning the lifetime of a carefree teenager who belongs to the ‘unseeable’ group in her village. However whereas Maadathy is the coming-of-age story of the lady (and about her sexual awakening), it’s also a hard-hitting commentary on caste and gender discrimination. Leena doesn’t sugarcoat the best way she portrays the horrors of caste satisfaction. Leena doesn’t hesitate to ask all of the uncomfortable questions. She questions how we construct temples of goddesses however don’t deal with the ladies in our lives with dignity.

Sarpatta Parambarai

Pa Ranjith’s Sarpatta Parambarai, in contrast to his current motion pictures, doesn’t brazenly talk about issues like oppression and caste discrimination which had branded him as an anti-caste filmmaker. Breaking away from the picture lure, Ranjith’s movie is an easy, extremely absorbing boxing drama concerning the conflict between two standard clans – Sarpatta and Idiyappan – that dominated the North Madras within the Nineteen Seventies. On the identical time, it’s additionally an necessary story about one man’s struggle for equality and glory. The movie options Arya in a career-defining function.

Jai Bhim

TJ Gnanavel’s Jai Bhim will go down as one of the necessary movies in Suriya’s profession. It’s a type of uncommon events the place the star hasn’t flexed his heroism and let his co-stars steal the highlight. Jai Bhim talks concerning the state of the oppressed, and despite the fact that the story takes place in 1995, the movie factors out how even in the present day, nothing a lot has modified relating to the lives of the marginalised.


Filmmaker Venkat Prabhu makes a really robust comeback with Maanaadu, which is a extremely pleasant, crowd-pleasing, and accessible time-loop thriller. It isn’t simple to take an idea like time-loop, and make it accessible for the plenty. Venkat Prabhu cracks this system efficiently and that’s what saves Maanaadu from changing into simply one other novel try gone haywire. It’s this system that makes the movie extremely pleasant, however on the identical time makes use of the idea of time-loop in such a approach that it by no means leaves the audiences questioning about what’s occurring.

Additionally learn: Grasp film assessment: Vijay delivers a largely entertaining star automobile


Debutant director Franklin Jacob’s Author is likely one of the most necessary movies of Tamil cinema, a well mannered reply to chest-thumping cop motion pictures. Lower from the identical material as Vetrimaaran’s Visaranai and Jai Bhim, Author shines the highlight on totally different points of the police division. Tamil cinema has all the time used police pressure as a medium to glorify its heroes with out bearing on their really human facet. Author turns this trope on its head and offers us a protagonist who has been in police service for over 30 years however has by no means left the desk.


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